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Michel de Montaigne, a 16th-century French nobleman, pioneered the essay genre as a unique form of self-exploration and introspection amidst turbulent civil wars. His central inquiry, "How to live?", unpacks practical questions from facing death to domestic dilemmas. Advocating for temperance, skepticism, and human conviviality, Montaigne believed in embracing life's flux, accepting imperfections, and guarding one's humanity against fanaticism. His Essays, an evolving self-portrait, served as a mirror for the universal human condition, demonstrating that an ordinary, self-aware life holds the profound answer to existence, even as he unwittingly laid the groundwork for modern philosophical discourse.
Albert Camus's *The Myth of Sisyphus* explores the concept of the absurd, arising from humanity's quest for meaning in an indifferent universe. He argues against suicide, advocating instead for conscious revolt, freedom, and passionate engagement with life's inherent meaninglessness. Through figures like Sisyphus, Don Juan, actors, and conquerors, Camus illustrates how embracing the absurd leads to dignity and a rich existence. The work critiques philosophical "leaps" towards hope, emphasizing that true living involves acknowledging life's futility while creating and revolting against it, finding happiness in the present moment.